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Simon Campbell

  • Home
  • JOURNAL
  • Music
  • Hire me
    • TUITION AND COACHING
    • Production, mixing and session work
    • REVIEWS
  • Gallery
    • GEAR GEEKERY
    • STARLITE & CAMPBELL
    • '70s
    • '80s
    • '90s
    • '10s - Now
  • Equipment
    • Electric guitars
    • Acoustic Instruments
    • Amplifiers & speakers
    • Microphones & DI boxes
    • Pedals, Cables & FX
    • Synthesisers & electronic wizardry
  • About
    • AS AN ARTIST
    • AS A GUITAR PLAYER, PRODUCER & ENGINEER
    • Interviews
  • Contact

SYNTHESISERS & ELECTRONIC WIZARDRY


SEQUENTIAL TEMPEST ANALOG DRUM MACHINE

Simon Campbell with the Sequential / Dave Smith Instruments Tempest analog drum machine, Supertone Records

THE BEST ANALOG DRUM MACHINE EVER MADE

Love them or hate them, there is no doubt that drum machines are very useful and creative tools. From Prince to Daniel Lanois, virtually everyone uses them for writing or tracking.

Many years ago I owned a Roland TR-808, Linn Drum LM-1 and Oberheim DMX but gave them away!

I did look for a number of years to find something great and then discovered Roger Linn and Dave Smith had come up with a new drum machine with both digital and analog oscillators. You can never go wrong buying something designed by these guys!

It is a fiendishly complex device to get into as it had a lot of depth - you can edit everything - but I love almost everything about it, especially the old school step programming features.

Suzy and I adore this beautiful machine and are very proud to be Sequential artists.

Sequential

WHAT DOES IT SOUND LIKE?

Take Me Now

Take Me Now

Electrolite

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  1. Take Me Now
Sequential / Dave Smith Instruments Tempest analog drum machine, Supertone Records recording studio, Lisbon, Portugal.

MOOG MATRIARCH

MOOG Matriarch

SEMI-MODULAR MAGIC

I am of course principally a guitar player but when recording STARLITE.ONE realy buckled down to learning keyboards.

Historically, I do have a good knowledge of what they do and how to create sounds but playing is a different matter.

I ended up creating arpeggios, playing the synth bass and lead lines but sensibly leaving Starlite to deal with the chords, pads and stabs - i.e. the tricky stuff.

This is what MOOG say about the Matriarch:

“The pinnacle of Moog’s semi-modular family of synthesizers, Matriarch’s patchable architecture and classic Moog circuits reward open exploration with endless sonic possibilities and unparalleled analog sound. Matriarch’s 4 analog VCOs can be split into 4 notes of paraphony that can be sequenced, shifted, and stored with the instrument’s intuitive 256 step sequencer, or stacked in unison to create a massive 4 oscillator mono synth.”

I wrote an article about my love affair with Analogue synthesisers and you can read the article by clicking the button below.

READ THE ARTICLE

WHAT DOES IT SOUND LIKE?

This Time (Is Gonna Be The Last Time)

This Time (Is Gonna Be The Last Time)

Starlite & Campbell

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  1. This Time (Is Gonna Be The Last Time)
Simon Campbell playing the MOOG Matriarch

MOOG MINITAUR

MOOG Minituar

MONSTER BASS

We all remember the huge bass sounds from MOOG Taurus bass pedals popularised by Geddy Lee (Rush), Chris Squire (Yes), John Paul Jones (Led Zeppelin), Mike Rutherford (Genesis), Daniel Lanois and The Police.

This tiny box is basically the innards of the bass pedals updated to work as a part of a MIDI based keyboard rig.

Both Suzy and I have used them with our Studiologic MP113 bass pedals.

Here's me in stocking feet playing the Duesenberg D6 Baritone through the Leslie 145 and the pedals.

Simultaneously rubbing your stomach and patting your head springs to mind…

WHAT DOES IT SOUND LIKE?

Blow Them All To Pieces

Blow Them All To Pieces

Starlite & Campbell

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  1. Blow Them All To Pieces
MOOG Minitaur bass synthesiser

MOOG ETHERWAVE PLUS

MOOG Etherwave Plus Theremin - Supertone Records recording studio, Lisbon, Portugal.

WEIRD AND WONDERFUL

In the '70s I saw pictures of Jimmy Page waving his arms around a strange box like a sonic sorcerer wondering what the hell it was. I later discovered it was a theremin.

The theremin was the product of Soviet government-sponsored research into proximity sensors and was invented by a young Russian physicist named Lev Sergeyevich Termen (known in the West as Leon Theremin) in October 1920.

To say these are tricky to set up and play is an understatement but there are a few incredible exponents of the art!

I am not one of these but have managed to use this wonderful instrument on quite a few recordings combined with my Maestro Echoplex EP-3.

Check out the ethereal vibes on 'Do You Want Me'.

WHAT DOES IT SOUND LIKE?

Do You Want Me

Do You Want Me

Simon Campbell

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  1. Do You Want Me
Jimmy Page with his Theremin

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